tube tech cl1b vs la2a

This is a Tube-Tech Compressor Collection Upgrade for Softube Tube-Tech CL1B owners. Furthermore the operation is very intuitive enabling you to achieve your goal.

I Tested A New Ua La 2a Vs The Ua La 2a Plug In Gearspace Com

The unit contains a unique low distortion gain-reduction element and the input and output are balanced and are fully floating.

. Tube-Tech CL1B is a more versatile opto-design with more controls. It delivers a very musical and smooth compression preserving the clarity of the source even at extreme settings and this is where CL 1B really stands out compared to other compressors. But the CL1-B brings a modern jazz tenor sax Im recording right now just a bit more to the front.

Other vintage hardware emulations. For tracking it is best used with very subtle compression just a few db max. The LA2a and the Retro 176.

Ad Fast Free Shipping Personalized Gear Advice Award-Winning Customer Service. Unmatched Customer Service Free Shipping. Listen to the smooth and transparent action of the CL1B.

430 00 MSRP. Austin TX United States. The CL1B has this uncanny ability to help great singers sound better and bad singers to sound worse.

MEC1A is a compact and cost-effective solution if you need a superior front end that will. In this demo used for the vocal of very talented Danish singer Tina Dickow. Developed by Softube the Tube-Tech CL 1B MkII plug-in for UAD hardware and UA Audio Interfaces is an update of this iconic optical compressor used by modern artists like Kanye West Rihanna Jennifer Lopez and more.

The LA2As winning combination of electrooptical compression transformers and valve amplification can also be found in a couple of other units wellrespected for vocal use Tube Techs CL1B and Avalons VT737SP so if you like what an LA2A can do for your vocals you may find that these models provide useful. Tracking wise the 1176 might be a bit of a better choice as you do. Waves CLA is about 375 and I think you can get it cheaper from Tony Belmont and this bundle is very good.

Featuring numerous sonic enhancements and new high-resolution graphics the Tube-Tech CL. The LA2A I am more comfortable knocking off a lot more dB. MP1A mic preamp EQ 1A active EQ and CL2A compressor in one powerful 2U recording package.

Most la2as are very forgiving and helpful to tame a vocalist that might not have the best control of their dynamics or have less than stellar mic technique. The TUBE-TECH CL 1B is an all-tube optical mono compressor. Then again this is a mixing preference more than a tracking one.

Tube-Tech CL 1B Tube Optical CompressorReviews. The CL1B is very good but overpriced if you ask me. Are other musical vintage hardware designs emulations.

Tube-Tech CL 1B Mono Opto Compressor. In 1987 Tube-Tech founder John G. LA2A will be best for 80 of vocalists if used right.

As a vocal compressor in particular its mixture of characteristic warm slow opto gain reduction and surprisingly versatile cant-sound-bad operation have made it a staple across a wider variety of genres than perhaps. Perhaps some tube saturationforgiving and spongey. The MEC1A delivers true TUBE-TECH sound.

The Industry Standard Vocal Compressor. Ssltech wrote on Tue 27 February 2007 0938. The CL-1b is in fact a hybrid design with tube signal path and solid-state sidechain.

As such comparisons to the Teletronix LA-2A which went back into production again at Universal Audio in 1999 are inevitable and justified. Petersen unveiled the CL-1B compressor his take on the classic optical compression method pioneered by the Teletronix LA-2A but with an additional level of control unlike the LA-2A the CL1Bs ratio threshold attack and release settings can all be changed manually. The release characteristic of the LA-2a is nonliner and VERY complex.

The LA2A seems warmer to my ears. The latter appears to be touted as having a fairly colored sound yet flexible. The preferred vocal compressor for pop hiphop and RB.

The LA2A is a famous optolight sensor ideal for vocal compression where speed is not a factor. CL1B will be best for the other 20 if used right. It seems the units that pop into conversation include the Tube Tech CL1B which is cleaner sounding from what Ive read.

Neumann CMV563M7 to Aphex 1100 to CL1-B. The Tube-Tech CL 1B is a modern classic for a very good reason. Besides the FETtypes Vintage 2254 Variable Mu and LA3A are other famous designs.

Full and warm yet open and transparent. As low as 157mo. Discover The Sweetwater Difference.

Ill almost always set up a dynamic mic too usually either a Shure SM7B or an EV RE20 through a Neve 1073 for preamp and EQ and the Highland Dynamics BG2 for. The longer the LDR gets burned-in on over-threshold signals the slower the release. And more musical even without attack release control.

The CL 1B is single channel optical compressor with a push-pull tube amplifier. FIRST HALF WITH MUSIC SECOND HALF WITHOUTCompressor shootout with tube tech cl1b stock tubes Unverisal Audio la2a Empirical Labs Distressor and Urei 11. Yes looking for a color.

The Tube-Tech CL 1B is a modern classic for a very good reasonAs a vocal compressor in particular its mixture of characteristic warm slow opto gain reduction and surprisingly versatile cant-sound-bad operation have made it a staple across a wider variety of genres than perhaps any other optical compressor. Tube-Tech CL 1B Tube Optical Compressor. Single-Channel Opto-Cell Compressor with Tube Amplifier.

The LA2As winning combination of electrooptical compression transformers and valve amplification can also be found in a couple of other units wellrespected for vocal use Tube Techs CL1B and Avalons VT737SP so if you like what an LA2A can do for your vocals you may find that these models provide useful alternative colours. 1176 is defiantly more versatile but a LA2A is still my favorite compressor for vocals. Yes the Waves LA2A is not a bad competitor and the CLA-2A alone is about 200 and this is the Waves price so not the cheapest.

A big blue modern classic The CL 1B is an all-tube optical compressor. The MEC1A is an all-tube mono recording channel combining the classic TUBE-TECH designs. The clean chain would be a Neumann U87i into the Neve VR console with the Tube-Tech CL1B on compression duties and a Maag EQ4 for a touch of equalisation should it be required.

There is also this cool sound that the LA2A gets on basses and kicks that the CL1B cannot come close too. Since that day more than 16000 of the single-channel. Listen to the musicality.

It depends on the level of talent youre working with. The gain reduction element is positioned immediately after the input transformer and is controlled by the. The Tube-Tech CL 1B.

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